Exposure Collection
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Exposure/Tool seamlessly integrate with Resolve Color Management (DaVinci Intermediate) and ACES workflows, ensuring accurate and consistent color management throughout your entire post-production pipeline.
Using exposureTool has not only helped me improve my workflow, but also has allowed me to achieve excellent results in a faster and more efficient manner.
Super fast and easy to use. I love how easy it is to precisely add a bit of detail in the shadows with beautiful roll-off without messing with the black point.
I’ve made the PixelTools exposure Tool DCTL part of my regular pipeline. I love the ability to set the correct working space and dial in the right fill and roll off. Wonderful results, wonderful tool!
I am absolutely happy to be using this tool. It has had a tremendous impact on my workflow. I highly recommend it - a 100% must-have!
An excellent tool to ease the learning curve and get immediate results.
Compared to Native Resolve Tools
The native resolve tool (offset) results in slightly milky shadows due to to its tendency to raise the black levels.
Our exposureTool DCTL does not have the same issue, allowing you to grade faster.
Offset \ Printer Points
PixelTool exposureTool DCTL
Versions Compared
Basic Version vs Pro Version
See what is included with each version of the PixelTools Exposure Collection.
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This Exposure Collection is excellent for video editors looking to enhance their footage, especially newbie like me. It is simple and straight forward, very easy to incorporated into workflow. This tool saves time and delivers professional results. Highly recommended for elevating video quality.
This exposure tool is very precise and gives You the ability to fine tunning the shaddows while mantaining the contrast and the colours. No artifacts and beatyfull Roll off.
This is so much better than the limitations inherent with the HDR Exposure dial on my panel. Having access to exposure level, fill exposure, fill roll-off, and being able to see the fill curve is a great addition. Another thing that speeds things up are the PowerGrades that you can pull over with various preset stops +/-. With Live Preview engaged, you can roll across the Powergrades and find a nice starting point. It might be nice to have .25 +/- stops in the future, but that would be my only suggestion, and you can make a .25 stop version yourself in seconds. It’s now in my standard node tree. Nice work, PT.
Thanks for the great feedback, Scott!
Briefly, I’m a fan of grading products because of: how great they look right out of the box (and able to solve more complex problems that I would have expected), how easy they are to tune, and how much I can learn from using them as starting points. Many thanks for the great tools!