Useful powergrades can help cut hours of your color session time. PixelTools are a standard part of my Resolve system, and they help give you a great finishing touch on any project.
I bought these for the purpose of having mode trees I could study and reverse engineer in order to improve my own color grading practice. It also turned out they were valuable tools for helping me deliver great work to my clients!
Ease of use in look creation is as good as Contour’s split toning and there are more options availab too if required.
I love this DCTL. It’s the only DCTL that has a permanent place in my fixed node tree. I couldn’t live without it.
I bought these powergrades to see how fast my workflow would change and it was a success! I was able to creat color grades and looks much quicker and efficiently, spending less time creating node trees and more time being creative! I really enjoyed this product.
I've spent so much time learning proper workflows for grading. Linear gain exposure vs. offset, linear balancing, contrast adjustments, etc. Prime/Grade takes all of that and puts it into a single easy to use DCTL. This tool literally combines 3 nodes in my workflow and makes it incredibly easy to work fast without worrying about what is happening under the hood of your nodes. I love the fact that it's compatible with my mini panel, but the sliders give you easy access to adjustments when working on the go. This is a must have tool!
The Split/Tone™ DCTL Plug-In offers an exceptional experience for color grading in DaVinci Resolve, delivering both power and simplicity. Its intuitive interface makes it easy for users of all levels to dial in complex looks quickly, without overwhelming them with unnecessary options. The integration with Resolve is seamless, allowing smooth interaction and minimal setup time. The grading results are impressive, with highly flexible control over split toning that yields professional, polished outcomes. Overall, it’s a must-have tool for anyone looking to elevate their color grading workflow with ease and precision.
The PixelTools Split/Tone DCTL has significantly enhanced my grading workflow. It offers a comprehensive suite of tools that simplify the process and expedite the grading process. These tools provide a range of options to achieve the desired look, allowing for experimentation and the creation of personalized grades. I highly recommend this DCTL to anyone seeking to elevate their video editing skills.
Useful for creating LUTs, I particularly enjoy the HUE ADVANCED tool, as it is the most comprehensive yet intuitive to use.
PixelTools film lab is a great product to get you to quickly emulate film print and negative all native to resolve which means fast render / playback compared to some third party plugins.
The latest version gives you more options and the way the power grades are set up, you understand how the FEP is constructed allowing you great flexibility to get the desired result.
Like other PixelTools products I own, the craftsmanship and support is top shelf.
I've only just started using this powergrade collection, but already find them super useful for getting inspiration at the start of a project. The guide that comes with them makes them super easy to manipulate to push in any direction you want to go.
This Exposure Collection is excellent for video editors looking to enhance their footage, especially newbie like me. It is simple and straight forward, very easy to incorporated into workflow. This tool saves time and delivers professional results. Highly recommended for elevating video quality.
I was faced with a particularly difficult challenge for a commercial project: I just couldn't get to grips with the fluorescent colors of a fire engine. With the Hue/Shift DCTL plug-in, I managed to do this within a few minutes. The tool is extremely helpful, produces rich, film-like colors and is easy to use.
The Hue/Shift DCTL Plug-In has significantly streamlined my colour grading process. Previously, I had to use three separate nodes in DaVinci's node tree, but now I can adjust hue, density, and saturation all in one go. This not only saves time but also speeds up my workflow, making it much easier to create the desired filmic look.
I’m a visual 2d artist in the fields of still photography and a painter of the natural world, and have just moved into the beginnings as a film producer. Your product has given me the tools to create the creative colour palette to achieve the final result that I’ve been searching for, thank you .
hueshift is a game-changer! This plug-in's seamless integration and intuitive interface make it a breeze to use. Its wide array of features and versatility offer endless possibilities. Whether you're a beginner or a pro, DCTL is a must-have tool for any enthusiast.
Hue/Shift DCTL has been a game changer for me to quickly get my look where I need it to be. It shaves hours off my grading, while allowing me to accurately target my hue tweaks in ways Davinci’s already formidable color tools dont.
This product is similar, but much more refined and intuitive than Davinci's ColorSlice.
This collection offers high-quality various node tree presets for speeding up my editing process. Its intuitive interface is user-friendly, catering to both beginners and professionals. These makes quick application of complex effects possible. I think this collection provides excellent value for money and supports creative projects effectively.
This DCTL is really Helpful, especially with presets, I like harvest preset.
This exposure tool is very precise and gives You the ability to fine tunning the shaddows while mantaining the contrast and the colours. No artifacts and beatyfull Roll off.
Great tool, provides good results. The presets in the pro version are especially useful.
I finally achieved the film look I wanted! I did a lot with few nods, LUT s and two plugins that made my Panasonic S5 s footage looks very food, but I felt that I need more to be realy satisfied. The new tools in Resolve 19 (color alice and film look) show me that I can do more so I tried a few DCTL s for controling the Hue, substractive saturation and density. So I chosed the best tool for the job: Pixel Tools Hue Shift. It is the most complex, very accurate, and no artifacts. A powerfull tool that did the last punch I needed to achieve the film look that I struggled to get for years. Thank You and congratulation for making such a good tool!
This is so much better than the limitations inherent with the HDR Exposure dial on my panel. Having access to exposure level, fill exposure, fill roll-off, and being able to see the fill curve is a great addition. Another thing that speeds things up are the PowerGrades that you can pull over with various preset stops +/-. With Live Preview engaged, you can roll across the Powergrades and find a nice starting point. It might be nice to have .25 +/- stops in the future, but that would be my only suggestion, and you can make a .25 stop version yourself in seconds. It’s now in my standard node tree. Nice work, PT.
Thanks for the great feedback, Scott!
Briefly, I’m a fan of grading products because of: how great they look right out of the box (and able to solve more complex problems that I would have expected), how easy they are to tune, and how much I can learn from using them as starting points. Many thanks for the great tools!