Hue/Shift™ DCTL Plug-In
Tax included.
The #1 Artist-Loved Subtractive Saturation Tool for DaVinci Resolve
The [hueShift DCTL] may be the only color product I’ve reviewed that I’d say is a “must have” just based on the fact that I’ve used so many HSL/HSV workarounds and never been overly thrilled with the results. hueShift is far more granular and simpler to use.
I worked various shots and compared the workflow versus getting close to that same look with hue/sat curves or the color warper.PixelTools hueShift was simpler and more responsive, all within a single panel of sliders.
I was using an HSV node and messing with it to achieve my desired results. Since I replaced that node with [hueShift], everything become so fast. Honestly worth the price, quick, easy, and powerful solution!
I have never been satisfied by the way Resolve does saturation. I have been looking for ways to get organic, film-like saturation that [adds] depth to the colors. [hueShift] has been a godsend for my work.
Great plug-in! Well worth the value. Saves a ton of time in the grade, Best one on the market. I’ve been grading for 8 years, this feels like a cheat code to making digital footage saturate like film.
I am completely blown away by the ease of use and stunning results I’m getting. [hueShift] has completely changed my workflow and has already helped me land new work. Worth every penny!
The "Missing" Subtractive Saturation Tool from DaVInci Resolve.
Secondaries, Simplified.
"Subtractive" Saturation in Action
See PixelTools hueShift visually compares to other commonly used saturation controls.
Native Resolve Saturation
hueShift DCTL "Subtractive" Saturation
Native Resolve Saturation
hueShift DCTL "Subtractive" Saturation
Native Resolve Saturation
hueShift DCTL "Subtractive" Saturation
I love this DCTL. It’s the only DCTL that has a permanent place in my fixed node tree. I couldn’t live without it.
I was faced with a particularly difficult challenge for a commercial project: I just couldn't get to grips with the fluorescent colors of a fire engine. With the Hue/Shift DCTL plug-in, I managed to do this within a few minutes. The tool is extremely helpful, produces rich, film-like colors and is easy to use.
The Hue/Shift DCTL Plug-In has significantly streamlined my colour grading process. Previously, I had to use three separate nodes in DaVinci's node tree, but now I can adjust hue, density, and saturation all in one go. This not only saves time but also speeds up my workflow, making it much easier to create the desired filmic look.
I’m a visual 2d artist in the fields of still photography and a painter of the natural world, and have just moved into the beginnings as a film producer. Your product has given me the tools to create the creative colour palette to achieve the final result that I’ve been searching for, thank you .