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Filmic/Contrast™ DCTL Plug-In

$79.99

COMPLETE THE WORKFLOW

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Crafting a signature filmic tone curve has never been easier.

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Stop struggling with curves

Add an analog touch to your digital workflow

Filmic/Contrast™ lets you quickly recreate the timeless feel of analog film by designing a custom contrast curve with soft, smooth highlights and gently lifted shadows.

The One-Node Primary Tool

Prime/Grade

DCTL

Prime/Grade is an all-in-one primaries DCTL for DaVinci Resolve. It consolidates exposure, contrast, balance, and saturation into a single step, letting you build a clean, balanced image without stacking nodes.

Exposure is handled through Linear Gain, Gain, or Offset. Flare and Fill shape the toe, with Fill using an in-house design that lifts shadows without flattening contrast. Contrast offers both S-Curve and Linear behavior, and Temp/Tint balancing operates across Linear Gain, Gain, or Offset. Saturation is built on a subtractive model for a more film-like response under heavy grading.

Five built-in checkers help you read the image as you grade: a ±5 stop False Color, Skin Tone, White Balance, Middle Gray, and Negative. Prime/Grade works internally in DaVinci Wide Gamut Intermediate and supports the same 23 Transfer Functions as the rest of the PixelTools line, so it drops into ACES, RCM, and manual CST workflows without fuss.

Compatible with

Color Managed Workflows

Prime/Grade™ seamlessly integrate with Resolve Color Management (DaVinci Intermediate) and ACES workflows, ensuring accurate and consistent color management throughout your entire post-production pipeline.

Work Faster Using

Blackmagic Control Surfaces

Prime/Grade™ integrates seamlessly with Blackmagic Mini and Advanced Control Surfaces, enabling quick adjustments without disrupting your current grading workflow or established muscle memory.

Filmic/Contrast Examples

Ungraded Rec709

Kodak 2383 Contrast Curve

Drag

Ungraded Rec709

Fuji 3510 Contrast Curve

Drag
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