PixelTools Film/Emulsion Pro software with a film strip overlay on a blurred background

PixelTools Film/Emulsion Basic software with a film strip overlay on a blurred background

DCTCL software interface with film emulation settings on a dark background

DCTCL software interface with print stock selection for film emulation

DCTCL software interface with film halation settings on a dark background

DCTCL software interface with film grain emulation settings on a dark background

Film/Emulsion - Film Emulation for DaVinci Resolve

$399.99

Version: Pro

Pro Basic

COMPLETE THE WORKFLOW

A node-based film emulation system for DaVinci Resolve, covering negative, print, halation, and grain.

Built for colorists, DPs, and finishing artists who want a film response that holds together across an entire project — without relying on preset-based looks.

Features

Real, Photometrically Profiled Film Emulations - Built from precise photometric data for true, scene-referred motion picture film reproduction. Every stock has been meticulously profiled to deliver authentic color, contrast, and tonal response that behaves like real film.
Negative Film Stocks - Experience legendary negative stocks, from the modern Kodak® Vision3 series to beloved classics like Vision2, Ektachrome, Fuji Eterna, and Double-X (B&W). You'll even find rare photographic stocks such as Kodak Aerocolor IV and AgfaPhoto Vista 200. Note: Some stocks limited to Pro version only.
Film Print Stocks - Recreate the cinematic finishing touch with the most widely used print stocks in film history — Kodak 2383, Kodak 2393, and Fuji 3510. Note: Some stocks limited to Pro version only.
Physically Modeled Halation Simulation - Halation/Tool™ goes beyond a simple glow effect. It simulates the actual physics of light scatter within the film base, including anti-halation backing behavior. Control scatter width, reflection intensity, emulsion crosstalk, and more for a result that behaves just like real film.
Photochemically Accurate Film Grain - Grain/Tool™ models grain as a function of the emulsion itself, not as a texture overlay. Dye layer simulation, generational loss, and silver halide response work together through a physically grounded integration process to produce grain that moves, breathes, and feels like a natural part of the image, because it is.
Node-Based Design for Deeper Control - Film/Emulsion is node-based, offering more control and flexibility than traditional plug-in approaches. You get full, independent control over the negative, print, halation, and grain emulation directly within the Resolve node tree, so you can refine, reorder, and adjust as needed.
Works with Your Workflow, Not Against It - Designed for professional colorists. Four custom-built DCTL plug-ins give you full, independent control over the negative, print, halation, and grain processes, so you can drop Film/Emulsion into your existing workflow without missing a beat.
Designed for Modern Color Management - Built specifically for modern scene-referred workflows, such as DaVinci Wide Gamut and ACES.
Broad Camera Support - Works seamlessly with ARRI, RED (IPP2), Sony, Canon, Panasonic, BMD, Apple Log, DJI, plus any input supported by Resolve Color Management (RCM) or Color Space Transforms (CST).
Crafted by Professional Colorists & Color Scientists - Developed by working colorists and color scientists for real-world film, TV, commercial, and streaming workflows.
No Hassle Licensing - One-time payment. No subscription. Free updates.

Basic v. Pro Versions Compared

Basic Version

4 real Negative Stocks – Kodak Vision3 200T 5213, Vision3 500T 5279, Fuji Eterna 250D 8546, Fuji Reala 500D
1 Print Stock – Kodak 2383
Includes 2 Custom DCTLs (NEG + PRINT)
Includes Film Process PowerGrade
Balanced LUTs only – no Technical (unbalanced) LUTs
❌ Does not include Halation/Tool or Grain/Tool DCTLs
❌ No additional film stocks will be added in future updates
✅ Lifetime License – own it forever, no recurring fees
✅ Free Updates – ongoing refinements and improvements
🎬 Ideal for editors, creators, and filmmakers who want stunning results fast

Pro Version

17 real Negative Stocks – meticulously captured, scanned, and profiled from Kodak and Fuji film
3 Print Stocks – Kodak 2383, Kodak 2393, Fuji 3510
Includes 4 Custom DCTLs (NEG, PRINT, Halation/Tool, and Grain/Tool)
Includes Film Process PowerGrade
Balanced + Technical (unbalanced) LUTs for 14 negative stocks
✅ Expanded Library – new film stocks added in future updates at no cost
✅ Lifetime License – one-time purchase, no subscriptions
✅ Free Updates for Life – ongoing improvements, new grain and halation tool, and stock additions
🎥 Built for professional colorists and filmmakers who want total creative control and future expandability

Upgrade to Pro

Already have a Basic license and want to upgrade to PRO?

Simply click here, add the Pro version to your cart, head to checkout, and use the same email address you used to purchase the Basic version. If you run into any issues, feel free to reach out - we’re happy to help.

What's Included

Basic Version

2 Custom DCTLe plug-in file
2 Alternate "No Icon" DCTLe plug-in file
4 PowerGrade DRX File
User Guide PDF

Pro Version

4 Custom DCTLe plug-in files
4 Alternate "No Icon" DCTLe plug-in files
12 PowerGrade DRX Files
User Guide PDF

Tech Specs

System Requirements

MacOS, Windows and Linux: Blackmagic DaVinci Resolve Studio 20 and beyond

NOTE: This Product REQUIRES DaVinci Resolve Studio (DCTLs do not work on the free version)

Product Updates

Version 1.1.0 - Released Mar 18, 2026

Introduced Halation/Tool™ DCTL (v2.0.0)
Introduced Grain/Tool™ DCTL (v1.0.0)
Added Bleach Bypass feature to PRINT DCTL
Added Shadows feature to PRINT DCTL
Added full transfer function support to NEG and PRINT DCTLs
(23 color spaces including ARRI LogC3/LogC4, ACEScc/ACEScct, Sony S-Log2/S-Log3, RED Log3G10, Canon Log 2/3, and more)
Added tooltips to NEG and PRINT DCTLs
Added new negative: Kodak EASTMAN EXR 100T Film 5248
Updated existing stock: Kodak Ektachrome 100D 5294
Rebuilt Film Process PowerGrade
Added manuals for each DCTL

Version 1.0.2 - Released Oct 27, 2025

Fixed Resolve crashing when applying the NEG DCTL by splitting it into three independent versions:
   – NEG Kodak
   – NEG Fuji
   – NEG Mixed
This was necessary due to a technical limitation within Resolve on some systems. The new structure also creates space for adding additional film stocks in future updates.
Fixed CTL error affecting the Print DCTL.
Updated the Film Process PowerGrade to include an optional Deep Shadows node for stronger black levels based on user feedback.

Version 1.0 - Released Oct 20, 2025

Initial Release

Film/Emulsion - Film Emulation for DaVinci Resolve

$399.99 USD

Straight from the grading suite

Excellent

4.9

/ 5

based on 25+ reviews

The halation? It’s bang on. I REALLY like it.

I haven't used a single halation plugin since I built my own compound node rig. None were as good, but [Halation/Tool] is better. I absolutely love it! And [Grain/Tool]'s chart view and layer separation controls are unique. They work really nice." I haven't used a single halation plugin since I built my own compound node rig. None were as good, but... I haven't used a single halation plugin since I built my own compound node rig. None were as good, but [Halation/Tool] is better. I absolutely love it! And [Grain/Tool]'s chart view and layer separation controls are unique. They work really nice."

Joe D.

Very Impressed

I recently tested a feature I'd just finished grading, comparing my original Film Look Creator pass against a new one built with Film/Emulsion PRO. I was genuinely impressed. The toolkit is intuitive, efficient, and easy to drop into an established workflow, and the resulting look was even more compelling than what I'd built originally. Film/Emulsion PRO will definitely be part of my toolkit on future projects. I recently tested a feature I'd just finished grading, comparing my original Film Look Creator pass against a new one... I recently tested a feature I'd just finished grading, comparing my original Film Look Creator pass against a new one built with Film/Emulsion PRO. I was genuinely impressed. The toolkit is intuitive, efficient, and easy to drop into an established workflow, and the resulting look was even more compelling than what I'd built originally. Film/Emulsion PRO will definitely be part of my toolkit on future projects.

Mark T.O.

Highly Recommended

PixelTools Film/Emulsion has been a refreshing solution in today's sea of options. The PowerGrade node structure gives you ultimate control without ever feeling overwhelming. Results feel organic and natural, and I love being able to mix and match different negatives and prints. The tools are fast, easy to navigate, and don't stress the system like some others can. Jason and the team are also wonderful people who go out of their way to help when you need it. Highly recommended. PixelTools Film/Emulsion has been a refreshing solution in today's sea of options. The PowerGrade node structure gives you ultimate control... PixelTools Film/Emulsion has been a refreshing solution in today's sea of options. The PowerGrade node structure gives you ultimate control without ever feeling overwhelming. Results feel organic and natural, and I love being able to mix and match different negatives and prints. The tools are fast, easy to navigate, and don't stress the system like some others can. Jason and the team are also wonderful people who go out of their way to help when you need it. Highly recommended.

Justin B.

Results are even better than other plugins

It fits perfectly in my workflow, and the results are even better than other plugins out there for a fraction of the price. It fits perfectly in my workflow, and the results are even better than other plugins out there for a fraction... It fits perfectly in my workflow, and the results are even better than other plugins out there for a fraction of the price.

Adrian A.

More than Happy

I'm more than happy to get an amazing film emulation at this price point. I've been using one that costs a perpetual $999, and in some ways I like Film/Emulsion more. I really like being able to adjust the percentage of the look. I often don't want to go for the full film look, so I have more room for my own creative color tweaks. I also like the flexibility of mixing and matching different negs with different print stocks, and the fact that I can use it with any of my favorite ODTs. I'm more than happy to get an amazing film emulation at this price point. I've been using one that costs... I'm more than happy to get an amazing film emulation at this price point. I've been using one that costs a perpetual $999, and in some ways I like Film/Emulsion more. I really like being able to adjust the percentage of the look. I often don't want to go for the full film look, so I have more room for my own creative color tweaks. I also like the flexibility of mixing and matching different negs with different print stocks, and the fact that I can use it with any of my favorite ODTs.

Jeremias N.

Loving the team have cooked up here

In a sea of film emulation products, I've been loving what Jason & the team have cooked up here. Can't wait to see what's added and how the product evolves in the future! In a sea of film emulation products, I've been loving what Jason & the team have cooked up here. Can't... In a sea of film emulation products, I've been loving what Jason & the team have cooked up here. Can't wait to see what's added and how the product evolves in the future!

Chris P.

THE missing piece to my look development.

These film emulations were the missing piece to my look development. They really made a difference. These film emulations were the missing piece to my look development. They really made a difference. These film emulations were the missing piece to my look development. They really made a difference.

Manual W.

Compatible with

Color Managed Workflows

Film/Emulsion™ seamlessly integrate with Resolve Color Management (DaVinci Intermediate), ensuring accurate and consistent color management throughout your entire post-production pipeline.

Work Faster Using

Blackmagic Control Surfaces

Film/Emulsion™ integrates seamlessly with Blackmagic Mini and Advanced Control Surfaces, enabling quick adjustments without disrupting your current grading workflow or established muscle memory.

What's included

20 Film Stocks — 17 negative, 3 print
Lifetime License — one-time purchase, no subscriptions
NEG DCTL — Film negative emulation
Free Updates — new stocks, tools, and refinements included for life
PRINT DCTL — Film print emulation
Film Process PowerGrade — workflow-ready node structure
Grain/Tool DCTL — Organic grain emulation
Balanced and Unbalanced Technical LUTs
Halation/Tool DCTL — Halation emulation

Included Film Stocks

20 stocks now — more added with every update

Included Also in Basic

Color Negative — Cinema

Kodak Vision3 500T 5219 Basic
Kodak Vision3 250D 5207
Kodak Vision3 200T 5213 Basic
Kodak Vision3 50D 5203
Kodak Vision2 250D 5205
Kodak Vision2 200T 5217
Kodak Vision 800T 5289
Kodak Vision 500T 5279
Kodak Vision 320T 5277
Kodak Eastman EXR 100T 5248

Color Negative — Motion Picture

Fuji Eterna 500T 8547
Fuji Eterna 250D 8546 Basic

Color Negative — Still

Kodak Aerocolor IV 2460
Fuji Reala 500D 8692 Basic
Agfa Vista 200

Print Emulation

Kodak 2393
Fuji 3510
Kodak 2383 Basic

Black & White Negative

Kodak Double-X 5222

Color Reversal

Kodak Ektachrome 100D 5294

More stocks added with every update — at no cost.

Buy Pro

One-time purchase. Every future release, free.

Film/Emulsion In Action

Used daily by professional colorists — learn more inside.

Deep Dive Quick Install Reviews

Explore the Film Stocks Included with Film/Emulsion™ Pro

A closer look at some of the film stocks included with Film/Emulsion™ Pro, showcased on a test image many professionals will instantly recognize.

Ungraded Rec709 (Digital)

Kodak Ektachrome 100D 5294 Neg + 2383 Print (Film)

Ungraded Rec709 (Digital)

Kodak Vision3 250D 5207 Neg + 2383 Print (Film)

Ungraded Rec709 (Digital)

Fuji Reala 500D 8692 Neg + Fuji 3510 Print (Film)

Ungraded Rec709

Kodak Vision3 500T 5219 Neg + Fuji 3510 Print

Ungraded Rec709

Kodak Vision3 500T 5219 Neg + Fuji 3510 Print

Ungraded Rec709

Agfa Vista 200 Neg + 2393 Print

Ungraded Rec709

Fuji Eterna 500T 8546 Neg + Fuji 3510 Print

Ungraded Rec709

Kodak Ektachrome 100D 5294 Neg + Kodak 2383 Print (Film)

Buy With Confidence

Professional tools, backed by a fair and transparent guarantee.

Our 14-Day Satisfaction Guarantee

Try PixelTools in your real-world workflow. If it’s not the right fit, we’ll help you get the most out of it. And if it still doesn’t match your needs, you’ll receive store credit to choose another PixelTools tool that better fits your workflow.

Built by Working Colorists

Trusted by 30,000+ Professionals

Fair, Transparent Exchange Policy

WHY FILM/EMULSION?

🎨 BUILT BY COLORISTS, FOR COLORISTS

🔒 TRUSTED BY THOUSANDS OF ARTISTS

🧪 RIGOROUSLY DEVELOPED & TESTED

🎛️ MADE FOR COLOR-MANAGED WORKFLOWS (RCM / ACES)

🔑 LIFETIME PERPETUAL LICENSE + UPDATES

OUR STORY

Film/Emulsion - Film Emulation for DaVinci Resolve

Basic Version

Pro Version

Basic Version

Pro Version

Straight from the grading suite

Choose your version.

Film/Emulsion In Action

Explore the Film Stocks Included with Film/Emulsion™ Pro

Our 14-Day Satisfaction Guarantee

WHY FILM/EMULSION?

🎨 BUILT BY COLORISTS, FOR COLORISTS

🔒 TRUSTED BY THOUSANDS OF ARTISTS

🧪 RIGOROUSLY DEVELOPED & TESTED

🎛️ MADE FOR COLOR-MANAGED WORKFLOWS (RCM / ACES)

🔑 LIFETIME PERPETUAL LICENSE + UPDATES

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