LOS ANGELES, November 10, 2026: PixelTools, the color grading tools company founded by colorist Jason Bowdach, designed 11 Style Presets for the launch of Color Mode in Adobe Premiere. Adobe invited a select group of creators and colorists to build the first looks, and PixelTools' Product Pop is featured on Adobe's Style Presets page, alongside looks from Peter McKinnon, Adrian Per, Milky Tran and Ryan Connolly.
Style Presets are pre-authored looks inside Color Mode. Each one sells individually on Adobe Stock. Adobe's free trial includes 10 Color Mode Style Presets.
All 11 PixelTools Style Presets for Adobe Premiere Color Mode
View on Adobe Stock
We're thrilled to finally bring our artist-loved presets to the Adobe ecosystem, and to design entirely unique looks with the Style system in Color Mode. What surprised me most was how versatile the Style modules are. I loved how I could push Film Color bold or keep it subtle, then shape the contrast curve further with Contrast Kit. Like our PowerGrades, every look stays fully adjustable, so you can tailor it to your specific project, unlike a pre-baked LUT.
My favorites are 35mm Print and Hollywood Split, tasteful takes on looks my clients often ask for. Now you can use well-designed looks built by a professional colorist on anything from high-budget brand work to your next YouTube video.
Thanks to my friends Jason Druss at Adobe, who brought us onto the project, and Alexis Van Hurkman, whose team designed the Color Mode panel and the Style system. Building looks on a system made by a fellow colorist was a treat.
Jason Bowdach, colorist and founder, PixelTools
How a Style Preset works in Color Mode
Each Style Preset is a stack of Style modules. 35mm Print starts with Film Color, which pairs a film negative with a print stock and adds controls for strength, highlights and shadows, then shapes the curve with Contrast Kit.
The 11 Style Presets, before and after
The same shot before and after each PixelTools Style Preset. Drag across any image to compare.
Balanced cinematic color and contrast.
Warm highlights against cool shadows.
Blue-teal color with cool shadows.
Soft golden warmth and lifted highlights.
Soft film grain and gentle warmth.
Muted, cool color with crisp contrast.
Faded contrast and subtle warmth, with a nostalgic film feel.
Soft monochrome with smooth, restrained contrast.
For when the client asks you to "make it pop."
Gentle contrast and delicate, flattering color.
Balanced color and gentle contrast that stays true to life.
About PixelTools
PixelTools makes DCTLs, OFX plugins and PowerGrades for DaVinci Resolve. Its Resolve presets have been downloaded more than 47,000 times, and its store reviews average 4.85 out of 5 across more than 730 reviews.
Press: Jason Bowdach, jason@pixeltoolspost.com
